Small presses can be great, providing opportunities for emerging authors to publish their work. Some small picture book presses, for instance, concentrate on the “quiet” stories that might be overlooked by the Big Five publishers.
But one of the dangers of new small presses is that they don’t necessarily last. Twice now, I’ve had a picture book picked up by a brand-new press, only to have the press fold before my book could be published. Worse, I’ve known other writers whose books were published just days before their press folded, leaving them with a book they could not reasonably sell (because it had been published) but which was no longer available. OUCH! Writer Beware could tell you many stories like this.
All of which is to say, I was disappointed when Hurn Publications shut down last year before my book, Sprinkles to the Rescue, could be published. But I didn’t want to give up, so, I kept working on the project, and I’m pleased to announce that I’m going to be self-publishing it very soon. Keep an eye out for more information!
I’ve been watching the mail anxiously, knowing that a box from my publisher should arrive soon. And yesterday, there it was! Inside were my author copies of A is For Anthony.
The book is illlustrated by Miguel Lopez, who drew adorable, child-friendly versions of the saints.
Right now, the only vendor I know of selling the booklet sells it in packs of twelve, suitable for distribution in Religious Education programs. I’ll update later as other vendors pick up the book.
As you can imagine, we were all very excited about this arrival at the Traver house. (My daughter was happy that I had written a book I could actually read to her, unlike my romances.) This is my first traditionally published picture book, and I’m grateful for the many critique partners who helped me get here.
I happened to be looking for paintings and drawings of Regency-era weddings, and I stumbled upon some proposal pictures. This led me down a fascinating rabbit hole, as there is apparently a whole body of artwork depicting men proposing and women seeming uninterested or unhappy. Behold!
In this painting, I’m just going to assume that the answer to the question “Yes or no?” is “No.” I’m neither a flower expert nor an art historian, but I believe the blue flowers in her hand are forget-me-nots, which leads me to speculate that she is remembering a different lover. In any case, she seems more interested in the flowers than in her suitor.
Unfortunately, I haven’t found the artist for the painting above. But again, though the suitor seems anxious, the woman looks like she’s wishing he would leave her alone. Take a hint, buddy: she’s not that into you.
Another Leighton work. The gentleman suitor here gets credit for not looking desperate, unlike some of the other paintings. But the lady can’t be bothered to look up from her fancywork. True, that could be shyness (Christina, from one of my works in progress, frequently looks down at her needlework due to shyness), but to me it looks like disinterest.
On Twitter, we speculated that this poor gentleman just picked the wrong time to propose. His inamorata looks overheated. “Ugh, it’s too HOT for this nonsense!” I hear you, unknown lady. Make your suitor get a cold drink for you. He might as well be useful, am I right?
Shout out to MJ Lloyd, who found this painting by Soulacroix. This is the first Regency proposal picture I’ve seen where the prospective bride seems happy. Note, too, how physically close the couple are. In many proposal paintings, there is a large space between the two people. In a few, the bride is actually leaning away, like in the painting below.
What caught my attention about this image was the way the woman leans away from her suitor, as if trying to get as physically distant from him as she can without falling off the sofa. But then I found myself asking “What is going on with the dead animal under her feet?” Followed by “Why did he tie his cravat as if he were a present? Does he think he’s God’s gift to women?” So many questions, really.
Finally, for further viewing pleasure, check out this article from The Toast. And I’ll end with a satirical engraving from 1805, in which the woman might be happy to be courted.
I can finally announce that one of my picture book manuscripts found a home with Aquinas Press, and is scheduled for publication this fall.
A is for Anthony: An Alphabet of Saints and Animals will be published as a booklet, similar in format to other books from the Lives of the Saints series. It’s an alpabethical collection of mini-stories about saints and their interactions with animals. Some of the saints are ones everyone has heard of (St. Francis, of course), while others are more obscure.